On 1957, the song "Partita No. 1 in B-Flat Major, BWV 825: III. Corrente" was released by Johann Sebastian Bach, Glenn Gould. With Partita No. 1 in B-Flat Major, BWV 825: III. Corrente being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 3 out of 90. Partita No. 1 in B-Flat Major, BWV 825: III. Corrente is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Partita No. 1 in B-Flat Major, BWV 825: III. Corrente by Johann Sebastian Bach, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Preludes, Op. 28: No. 23 in F Major, Moderato | Frédéric Chopin, Grigory Sokolov | F Major | 0 | 7B | 70 BPM | ||
Ravel: Sonatine, M. 40: I. Modéré | Maurice Ravel, Bertrand Chamayou | F♯ Minor | 1 | 11A | 67 BPM | ||
Three-Part Inventions (Sinfonias), BWV 787-801: Sinfonia No. 4 in D Minor, BWV 790 | Glenn Gould | D Minor | 1 | 7A | 131 BPM | ||
Sonata No. 30 in E-Flat Major, Op. 109 "Eroica": II. Prestissimo - Remastered | Ludwig van Beethoven, Glenn Gould | E Minor | 3 | 9A | 94 BPM | ||
Lieder ohne Worte, Op.19: No. 1 In E Major, MWV U 86 - "Sweet Remembrance" | Felix Mendelssohn, Daniel Barenboim | B Major | 0 | 1B | 89 BPM | ||
Partita No. 6 in E minor, BWV 830: VII. Gigue | Johann Sebastian Bach, Glenn Gould | E Minor | 3 | 9A | 125 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM |
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