"Pieds-en-l'air from Capriol Suite for String Orchestra" by Peter Warlock, José-Luis Garcia was released on 1962. The duration of Pieds-en-l'air from Capriol Suite for String Orchestra is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Pieds-en-l'air from Capriol Suite for String Orchestra's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Simply Summer". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Pieds-en-l'air from Capriol Suite for String Orchestra is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pieds-en-l'air from Capriol Suite for String Orchestra by Peter Warlock, José-Luis Garcia having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM | ||
L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM | ||
Les baricades mystérieuses - Arranged By Göran Söllscher | François Couperin, Göran Söllscher | B♭ Major | 1 | 6B | 138 BPM | ||
XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis | A♭ Minor | 1 | 1A | 173 BPM | ||
Impromptu No. 3 in G-Flat Major, Op.90, D 899 | Clare Hammond | F♯ Major | 0 | 2B | 175 BPM | ||
Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | G Major | 0 | 9B | 82 BPM | ||
I. Basse-Danse | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 3 | 7A | 191 BPM | ||
Deh, vieni alla finestra | Dawid Kimberg | D Major | 0 | 10B | 69 BPM | ||
Suite from The Victorian Kitchen Garden: II. Spring | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 75 BPM | ||
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM |
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