"Sheppard: Missa Cantate - 1i. Cum Sancto Spiritu" by John Sheppard, The Tallis Scholars, Peter Phillips was released on October 6, 2023. With Sheppard: Missa Cantate - 1i. Cum Sancto Spiritu being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Sheppard, The Tallis Scholars, Peter Phillips's "John Sheppard: Missa Cantate" album is number 9 out of 80. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Sheppard: Missa Cantate - 1i. Cum Sancto Spiritu's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sheppard: Missa Cantate - 1i. Cum Sancto Spiritu by John Sheppard, The Tallis Scholars, Peter Phillips to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defunctis: II. Kyrie | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Sicut lilium inter spinas | Eleonora d'Este, Lyyra | F Major | 1 | 7B | 82 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Octonaires de la vanité du monde, Livre 1: 1. L'eau va viste en s'escoulant | Paschal de l'Estocart, Ensemble Clément Janequin, Dominique Visse | C Major | 1 | 8B | 177 BPM | ||
In nomine Iesu: Patris sapientia | Loyset Compère, Odhecaton, Paolo da Col | B Major | 1 | 1B | 88 BPM | ||
All-Night Vigil, Op. 37: IV. Gladsome Light | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | C Minor | 0 | 5A | 78 BPM | ||
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
3 Sacred Hymns: No. 1, Ave Maria | Alfred Momotenko, Latvian Radio Choir, Sigvards Kļava | B Major | 3 | 1B | 96 BPM | ||
Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 84 BPM | ||
Missa ex B: XXV. Hosanna in excelsis - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 111 BPM |
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