Johann Sebastian Bach, Avi Avital, Ophira Zakai, Ira Givol, Shalev Ad-El made "Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: I. Adagio ma non troppo (Transcr. for Mandolin and Continuo by Avi Avital)" available on January 1, 2012. The duration of Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: I. Adagio ma non troppo (Transcr. for Mandolin and Continuo by Avi Avital) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: I. Adagio ma non troppo (Transcr. for Mandolin and Continuo by Avi Avital)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 13 in Bach by Johann Sebastian Bach, Avi Avital. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: I. Adagio ma non troppo (Transcr. for Mandolin and Continuo by Avi Avital) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: I. Adagio ma non troppo (Transcr. for Mandolin and Continuo by Avi Avital) by Johann Sebastian Bach, Avi Avital, Ophira Zakai, Ira Givol, Shalev Ad-El is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 147 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II | Johann Sebastian Bach, Yo-Yo Ma | C Major | 1 | 8B | 84 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM |
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