On January 1, 2011, the song "La Bruja / Acto II: 2. N.º 9-C Escena y Coro (Ya presentó a la Virgen...)" was released by Ruperto Chapí, Miguel Roa, Coro de la Asociación de Amigos del Teatro de la Maestranza, Marta Moreno, Susana Cordon, Julio Morales. The duration of La Bruja / Acto II: 2. N.º 9-C Escena y Coro (Ya presentó a la Virgen...) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. La Bruja / Acto II: 2. N.º 9-C Escena y Coro (Ya presentó a la Virgen...)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruperto Chapí, Miguel Roa, Real Orquesta Sinfonica De Sevilla's "La Bruja" album is number 2 out of 21. On top of that, Spain appears to be the country where this track was created. Based on our statistics, La Bruja / Acto II: 2. N.º 9-C Escena y Coro (Ya presentó a la Virgen...)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of La Bruja / Acto II: 2. N.º 9-C Escena y Coro (Ya presentó a la Virgen...) by Ruperto Chapí, Miguel Roa, Coro de la Asociación de Amigos del Teatro de la Maestranza, Marta Moreno, Susana Cordon, Julio Morales to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Año Pasado por Agua: "Pasacalle: Aquí Viene la Flor de Maravillas" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | E Major | 6 | 12B | 120 BPM | ||
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
La Parranda: "Canto a Murcia" | Gran Orquesta Sinfónica de España | A Major | 4 | 11B | 100 BPM | ||
Lucia di Lammermoor, Act I: Il tuo dubbio | Gaetano Donizetti, Coro del Teatro Carlo Felice di Genova, Didier Pieri, Stefano Antonucci, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 71 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Las Golondrinas: "Canción de Lina" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "La pietade in suo favore" (Enrico, Raimondo, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Las Golondrinas, Escena final, II parte: "Se reía" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
String Quartet No. 1 in G Major: I. Allegro moderato | Ruperto Chapí, Cuarteto Latinoamericano | G Major | 0 | 9B | 106 BPM |
Section: 0.6320974826812744
End: 0.6356053352355957