"Nun danket alle Gott" by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann was released on August 7, 2012. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Schein: Israelsbrunnlein". In this album, this song's track order is #13. The popularity of Nun danket alle Gott is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nun danket alle Gott by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Jesus Christus, unser Heiland | Samuel Scheidt, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 70 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIe. Magnificat "Et misericordia eius" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Benedict Hymas, Samuel Boden, Peter Kooij, Wolf Matthias Friedrich, Collegium Vocale Gent | B♭ Major | 3 | 6B | 83 BPM | ||
Da Jesus an dem Kreuze stund I (Arr. For brass quintet) | Johann Hermann Schein, Gabor Komlossy, Ewald Brass Quintet | G Minor | 1 | 6A | 84 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Sonata a tre in re maggiore: II. Adagio | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 0 | 3B | 102 BPM | ||
Leuven Chansonnier: No. 29, Le corps s'en va et le cueur vous demeure | Antoine Busnois, Anonymous, Sollazzo Ensemble, Anna Danilevskaia | B Major | 1 | 1B | 116 BPM | ||
Intemerata Dei mater: III. Aspiciat facito | Johannes Ockeghem, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 124 BPM |
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