Johann Sebastian Bach, Keller Quartett's 'The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem' came out on 1988. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Keller Quartett's "J.S Bach - Die Kunst Der Fuge" album is number 7 out of 20. Based on our statistics, The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem by Johann Sebastian Bach, Keller Quartett to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in G Major, G. 5: III. Tempo di minuetto | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
O Welt, sieh' hier dein Leben, BWV 395 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | D Minor | 4 | 7A | 120 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: II. Adagio | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 78 BPM | ||
The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta | Johann Sebastian Bach, Keller Quartett | D Minor | 1 | 7A | 76 BPM | ||
Keyboard Sonata in D Major, Wq. 54/5, H. 185: III. Poco allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | D Major | 1 | 10B | 101 BPM | ||
Suite No.2 in F Major, HWV 427: Adagio | George Frideric Handel, Murray Perahia | D Minor | 0 | 7A | 173 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Johannes-Passion, BWV 245.1: 25. Recitativo: Allda kreuzigten sie ihn | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt | D Major | 2 | 10B | 172 BPM | ||
Viola da Gamba Suite in D Major: V. Fuga | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 99 BPM | ||
Suite No. 1 in G Major, Z. 660: III. Corant | Henry Purcell, Richard Egarr | F Major | 2 | 7B | 145 BPM |
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