"The Theory of Everything Suite" by Angèle Dubeau, La Pietà was released on October 4, 2019. Since The Theory of Everything Suite is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Pulsations". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Canada. The Theory of Everything Suite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Theory of Everything Suite by Angèle Dubeau, La Pietà having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jackie's Song (Romanza) | Julian Lloyd Webber, Esther Abrami, Vienna Radio Symphony Orchestra | A Major | 2 | 11B | 84 BPM | ||
Romanian Folkdances: Pe loc | Béla Bartók, Angèle Dubeau, La Pietà | B Minor | 0 | 10A | 107 BPM | ||
Ow | Stephan Moccio | B Major | 0 | 1B | 108 BPM | ||
Doria | Ólafur Arnalds, Angèle Dubeau, La Pietà | E♭ Major | 2 | 5B | 84 BPM | ||
An Ending (Ascent) - Arr. for Violin, Harp & Orchestra by David Le Page | Orchestra of the Swan, David le Page, Eleanor Turner | A♭ Major | 1 | 4B | 55 BPM | ||
Mishima: Blood Oath | Philip Glass, Angèle Dubeau, La Pietà | E♭ Major | 1 | 5B | 100 BPM | ||
Justification | Philippe Paquet, Agnès Langlois, Dominique Beauséjour-Ostiguy, Jeanne Côté, Marie-Claire Vaillancourt, Vincent Delorme | A Minor | 2 | 8A | 72 BPM | ||
Solace | Oliver Davis, Jonathan Hill, Kerenza Peacock, Peter Illenyi, Budapest Scoring Orchestra | B♭ Major | 2 | 6B | 83 BPM | ||
Fragment – Embers (From “Memoryhouse”) | Angèle Dubeau, La Pietà | B Minor | 1 | 10A | 69 BPM | ||
Soy Marco (From "Talk to Her (Hable Con Ella)") | Alberto Iglesias, Angèle Dubeau, La Pietà | C Major | 1 | 8B | 103 BPM |
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