"Carmen : Dans l'air nous suivons des yeux la fumée" by Sofia National Opera Chorus was released on March 1, 2014. The duration of Carmen : Dans l'air nous suivons des yeux la fumée is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Carmen : Dans l'air nous suivons des yeux la fumée's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Magic of the Opera" album is number 26 out of 46. Carmen : Dans l'air nous suivons des yeux la fumée is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Carmen : Dans l'air nous suivons des yeux la fumée by Sofia National Opera Chorus to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kolokola (The Bells), Op. 35: I. Allegro, ma non tanto | Sergei Rachmaninoff, Oleg Melnikov, RTÉ Philharmonic Choir, Helen Field, Ivan Choupenitch, RTÉ National Symphony Orchestra | D♭ Major | 1 | 3B | 123 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") | Gustav Mahler, Latonia Moore, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | F♯ Major | 0 | 2B | 78 BPM | ||
Symphony No.3 In E Flat, Op.55 -"Eroica": 3. Scherzo (Allegro vivace) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 163 BPM | ||
Prince Igor (1998 Digital Remaster), PROLOGUE: Puskai sebe idut (Skula/Eroshka) | Alexander Borodin, Constantin Chekerliski, Boris Christoff, Todor Todorov, Julia Wiener, Reni Penkova, Jerzy Semkow, Sofia National Opera Orchestra, Sofia National Opera Chorus | F♯ Major | 1 | 2B | 117 BPM | ||
Carmen: Act I: Parle-moi de ma mere | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | C Major | 2 | 8B | 80 BPM | ||
Symphony No. 2 in B-Flat major, D. 125: II. Andante | Franz Schubert, Günter Wand | A Minor | 3 | 8A | 168 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Carmen, WD 31, Act I: Habanera: L'amour est un oiseau rebelle | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | D Major | 1 | 10B | 132 BPM |
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