Joseph Bodin de Boismortier, London Baroque made "Trio Sonata in E Minor, Op. 37 No. 2, PB 437: III. Allegro" available on August 7, 2012. With Trio Sonata in E Minor, Op. 37 No. 2, PB 437: III. Allegro being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Trio Sonata in 18th-Century France". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata in E Minor, Op. 37 No. 2, PB 437: III. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trio Sonata in E Minor, Op. 37 No. 2, PB 437: III. Allegro by Joseph Bodin de Boismortier, London Baroque having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BUXWV 75, cantata II ad genua: I. Sonata in tremolo | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra | F♯ Minor | 2 | 11A | 142 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: III. Dolce | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 0 | 3B | 128 BPM | ||
Sonata in D Major for Violin and Continuo, Book V No. 6: III. Gavotta I/II | Jacques Aubert, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Sonata a tre No. 6 in G Minor, Op. 2: III. Grave | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 2. Quand on scait aimer et plaire - Andante | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Major | 0 | 2B | 101 BPM | ||
Balletti di Venezia: VII. Adagio | Unknown, Ensemble Caprice, Matthias Maute | D♭ Minor | 0 | 12A | 146 BPM | ||
A Collection of Old Scots Tunes: Lochaber | Francesco Barsanti, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM |
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