John Kander, Fred Ebb, Original Broadway Cast of New York, New York made "New York, New York (Original Demo - Performed by John Kander and Fred Ebb) - Bonus Track" available on June 23, 2023. The duration of New York, New York (Original Demo - Performed by John Kander and Fred Ebb) - Bonus Track is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. New York, New York (Original Demo - Performed by John Kander and Fred Ebb) - Bonus Track's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "New York, New York Original Broadway Cast Recording". In this album, this song's track order is #15. In terms of popularity, New York, New York (Original Demo - Performed by John Kander and Fred Ebb) - Bonus Track is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With New York, New York (Original Demo - Performed by John Kander and Fred Ebb) - Bonus Track by John Kander, Fred Ebb, Original Broadway Cast of New York, New York having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Flesh Failures / Eyes Look Your Last / Let the Sun Shine In | Gavin Creel, Caissie Levy, Bryce Ryness, Sasha Allen, Kacie Sheik, Allison Case | B Minor | 7 | 10A | 107 BPM | ||
I've Never Been in Love Before | Josie de Guzman, Peter Gallagher | D♭ Major | 1 | 3B | 141 BPM | ||
It's All the Same | Mary Elizabeth Mastrantonio, Man of La Mancha Ensemble (2002) | A♭ Minor | 3 | 1A | 112 BPM | ||
Something Different | Katrina Lenk, Tony Shalhoub | B Minor | 3 | 10A | 87 BPM | ||
The Great Comet of 1812 | Josh Groban, Original Broadway Company of Natasha, Pierre and the Great Comet of 1812 | D Major | 2 | 10B | 69 BPM | ||
Find My Way / Finale | Laura Bell Bundy, Orfeh, 'Legally Blonde' Ensemble | A♭ Major | 4 | 4B | 89 BPM | ||
Bells and Whistles | Jane Krakowski | G Major | 3 | 9B | 108 BPM | ||
Nine to Five | Allison Janney, Megan Hilty, Charlie Pollock, Stephanie J. Block and Ensemble | D Major | 5 | 10B | 104 BPM | ||
Purpose | John Tartaglia, Avenue Q Ensemble | G Major | 5 | 9B | 137 BPM | ||
Together Again | Roger Bart, Christopher Fitzgerald | G Major | 5 | 9B | 145 BPM |
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