Giuseppe Tartini, Elinor Frey, Rosa Barocca, Claude Lapalme's 'Concerto in A Major for Cello, Strings, and Continuo, GT 1.A28: I. Allegro' came out on April 1, 2022. With this song being about 5 minutes long, at 5:06, "Concerto in A Major for Cello, Strings, and Continuo, GT 1.A28: I. Allegro" by Giuseppe Tartini, Elinor Frey, Rosa Barocca, Claude Lapalme is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 16 in Early Italian Cello Concertos by Elinor Frey, Rosa Barocca, Claude Lapalme. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Concerto in A Major for Cello, Strings, and Continuo, GT 1.A28: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in A Major for Cello, Strings, and Continuo, GT 1.A28: I. Allegro by Giuseppe Tartini, Elinor Frey, Rosa Barocca, Claude Lapalme is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romanian Folk Dances, Sz.56: I. Allegro moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | A Minor | 0 | 8A | 80 BPM | ||
Chaconne In G Minor For Violin And Organ | Tomaso Antonio Vitali, William Neil, Heather LeDoux Green, Sylvia Alimena, Eclipse Chamber Orchestra | A Minor | 0 | 8A | 96 BPM | ||
Violin Concerto in C Major, D12 | Giuseppe Tartini, Gordan Nikolitch, Arie Van Beek, Orchestre d'Auvergne | E Minor | 0 | 9A | 77 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Violin Concerto in C Major, D12 | Giuseppe Tartini, Gordan Nikolitch, Arie Van Beek, Orchestre d'Auvergne | G Major | 0 | 9B | 97 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Violin Concerto in C Major, D12 | Giuseppe Tartini, Gordan Nikolitch, Arie Van Beek, Orchestre d'Auvergne | E Minor | 0 | 9A | 77 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM |
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