"Peter und der Wolf, Op. 67: VI. Der Großvater kam aus dem Haus" by Sergei Prokofiev, Barbara Schöneberger, Berlin Radio Symphony Orchestra was released on November 15, 2019. The duration of Peter und der Wolf, Op. 67: VI. Der Großvater kam aus dem Haus is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Peter und der Wolf, Op. 67: VI. Der Großvater kam aus dem Haus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Saint-Saëns: Karneval der Tiere & Prokofiev: Peter und der Wolf". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Germany. In terms of popularity, Peter und der Wolf, Op. 67: VI. Der Großvater kam aus dem Haus is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter und der Wolf, Op. 67: VI. Der Großvater kam aus dem Haus by Sergei Prokofiev, Barbara Schöneberger, Berlin Radio Symphony Orchestra having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 15 In F Minor, Op. 55 No. 1 | Frédéric Chopin, Maurizio Pollini | F Minor | 0 | 4A | 71 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Cello Concertino in G Minor, Op. 132 (arr. V. Blok): I. Andante mosso | Sergei Prokofiev, Vladimir Blok, Alexander Rudin, Ukraine National Symphony Orchestra, Theodore Kuchar | A♭ Major | 1 | 4B | 88 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM |
Section: 0.6782541275024414
End: 0.6835100650787354