"Romancero Gitano, Op. 152: I. Baladilla de los tres rios" by Mario Castelnuovo-Tedesco, Coro Polifonico Castelbarco di Avio, Luigi Azzolini, Giulio Tampalini was released on May 1, 2012. With this song being about 5 minutes long, at 4:45, "Romancero Gitano, Op. 152: I. Baladilla de los tres rios" by Mario Castelnuovo-Tedesco, Coro Polifonico Castelbarco di Avio, Luigi Azzolini, Giulio Tampalini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 14 in Castelnuovo-Tedesco: Guitar Concerto & Quintet, Romancero by Mario Castelnuovo-Tedesco, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Romancero Gitano, Op. 152: I. Baladilla de los tres rios is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romancero Gitano, Op. 152: I. Baladilla de los tres rios by Mario Castelnuovo-Tedesco, Coro Polifonico Castelbarco di Avio, Luigi Azzolini, Giulio Tampalini is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cádiz | Isaac Albéniz, David Russell | C Major | 1 | 8B | 140 BPM | ||
Milonga del viento | Jorge Morel, Ricardo Cobo | A Minor | 1 | 8A | 123 BPM | ||
Suite Del Recuerdo/Evocacion | Jose Luis Merlin | E Minor | 1 | 9A | 109 BPM | ||
Sonata clasica: I. Allegro | Manuel Ponce, Jason Vieaux | A Minor | 1 | 8A | 137 BPM | ||
Le départ, Op. 31: I. Introduction. Andante largo | Napoléon Coste, An Tran | E Major | 1 | 12B | 61 BPM | ||
Sonata in C Major L. 305/K 251 | Domenico Scarlatti, Sergio & Odair Assad | D Major | 5 | 10B | 131 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | G Minor | 1 | 6A | 140 BPM | ||
36 Caprices, Op. 20: VII. Prestissimo | Luigi Legnani, Pavel Steidl | A Major | 2 | 11B | 136 BPM | ||
Carcassi Op.60 N.1 Allegro | Matteo Carcassi, Lucio Matarazzo | G Major | 6 | 9B | 107 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM |
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