"Op.20: Waltz (Walzer): Swan Lake Suite" by Bamberg Symphony was released on January 2, 1990. Since Op.20: Waltz (Walzer): Swan Lake Suite is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Swan Lake Suite (Schwanensee Suite), Concerto For Violin And Orchestra". In this album, this song's track order is #5. In terms of popularity, Op.20: Waltz (Walzer): Swan Lake Suite is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Op.20: Waltz (Walzer): Swan Lake Suite by Bamberg Symphony having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody, Op. 163b, "Abends" (Evening) | Joachim Raff, Bamberg Symphony, Hans Stadlmair | E♭ Major | 1 | 5B | 77 BPM | ||
Prelude | Richard Wagner, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 72 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Le Tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 123 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Symphony No. 2 in F-Sharp Minor, Op. 16: III. Scherzo. Allegro | Alexander Glazunov, Bamberg Symphony, Neeme Järvi | E♭ Major | 1 | 5B | 70 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 149 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Loreley, Op. 16: Overture | Max Bruch, Bamberg Symphony, Robert Trevino | E Major | 2 | 12B | 115 BPM |
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