Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Gareth Lubbe, Torleif Thedéen, Eldar Nebolsin's 'Piano Quintet in E Major, Op. 15: I. Mäßiges Zeitmaß, mit schwungvoll blühendem Ausdruck' had a release date set for November 13, 2020. This song appears to be safe for all ages as it is not explicit. The track order of this song in Erich Wolfgang Korngold, Spectrum Concerts Berlin's "Korngold: Suite, Op. 23 & Piano Quintet, Op. 15" album is number 6 out of 8. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Piano Quintet in E Major, Op. 15: I. Mäßiges Zeitmaß, mit schwungvoll blühendem Ausdruck is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Piano Quintet in E Major, Op. 15: I. Mäßiges Zeitmaß, mit schwungvoll blühendem Ausdruck by Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Gareth Lubbe, Torleif Thedéen, Eldar Nebolsin to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Reunion | Erich Wolfgang Korngold | E♭ Major | 1 | 5B | 81 BPM | ||
Coronation Procession - Re-record | Erich Wolfgang Korngold | B♭ Major | 0 | 6B | 126 BPM | ||
Die tote Stadt, Op. 12, Act I Scene 1: Behutsam! Hier ist alles alt (Live) | Erich Wolfgang Korngold, Markus Eiche, Sari Nordqvist, Finnish National Opera Orchestra, Mikko Franck | B♭ Major | 1 | 6B | 79 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM |