Ignaz Pleyel, Michael Salm, Mila Georgieva, Gunter Teuffel, Konstanze Brenner, Manuel Fischer-Dieskau, Hanno Donneweg, Stuttgart Radio Symphony Orchestra, Gaby Pas-Van Riet, Anne Angerer, Johannes Moesus's ' "Symphonie Concertante in F Major, Ben. 113: II. Adagio espressivo" was released on its scheduled release date, April 1, 2014. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Pleyel: Symphonies Concertantes - Bassoon Concerto". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphonie Concertante in F Major, Ben. 113: II. Adagio espressivo's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Symphonie Concertante in F Major, Ben. 113: II. Adagio espressivo by Ignaz Pleyel, Michael Salm, Mila Georgieva, Gunter Teuffel, Konstanze Brenner, Manuel Fischer-Dieskau, Hanno Donneweg, Stuttgart Radio Symphony Orchestra, Gaby Pas-Van Riet, Anne Angerer, Johannes Moesus having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
6 Quartetto concertans, No. 1 in B-Flat Major: II. Gratioso | Joseph Bologne, Chevalier de Saint-Georges, Arabella Quartet | B♭ Major | 1 | 6B | 90 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Volverás | Mauricio Trabanino | E♭ Major | 1 | 5B | 90 BPM | ||
Concerto for Strings and Continuo in B flat major, RV 163 "Conca": 1. (Allegro molto moderato) - Allegro molto | Antonio Vivaldi, I Musici | C Major | 3 | 8B | 162 BPM | ||
Macbeth: Menuetto to be Play’d at the Banquet | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 0 | 10B | 113 BPM | ||
Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Jan Krtitel Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | F Major | 0 | 7B | 70 BPM | ||
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Divertimento in F for String Ensemble, K.138: iii. Presto | Mozart, English Chamber Orchestra, David Blum | C Major | 1 | 8B | 76 BPM | ||
12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Helmut Koch, Kammerorchester Berlin | E♭ Major | 2 | 5B | 116 BPM |