- BPM
- 129
- Key
- B♭ Major
- Camelot
- 6B
Tomorrow Shall be my Dancing Day (arr. D. Willcocks) - Sir David Willcocks, Traditional, Elora Festival Singers, Noel Edison Information
- Acousticness
- 99%
- Danceability
- 26%
- Energy
- 12%
- Instrumentalness
- 93%
- Liveness
- 13%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 3%
- Loudness
- -26.8 dB
Summary
"Tomorrow Shall be my Dancing Day (arr. D. Willcocks)" by Sir David Willcocks, Traditional, Elora Festival Singers, Noel Edison was released on October 30, 1998. The duration of Tomorrow Shall be my Dancing Day (arr. D. Willcocks) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Tomorrow Shall be my Dancing Day (arr. D. Willcocks)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Mystery of Christmas". In this album, this song's track order is #8. Based on our statistics, Tomorrow Shall be my Dancing Day (arr. D. Willcocks)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Tomorrow Shall be my Dancing Day (arr. D. Willcocks) BPM
With Tomorrow Shall be my Dancing Day (arr. D. Willcocks) by Sir David Willcocks, Traditional, Elora Festival Singers, Noel Edison having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Tomorrow Shall be my Dancing Day (arr. D. Willcocks) Key
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Silent Night | Franz Xaver Gruber, The Cambridge Singers, City of London Sinfonia, John Rutter | B Major | 0 | 1B | 67 BPM | |
 | The Angel Gabriel | Robert Prizeman, Traditional, Sabine Baring-Gould, Libera | A Minor | 2 | 8A | 129 BPM | |
 | Deck The Hall | Sir David Willcocks, Wells Cathedral Choir, Matthew Owens | G Major | 2 | 9B | 89 BPM | |
 | A Spotless Rose | Herbert Howells, Choir of King's College, Cambridge, Stephen Cleobury | A Major | 1 | 11B | 105 BPM | |
 | Es ist ein Ros entsprungen (arr. S. Cox for brass septet) | Michael Praetorius, Simon Cox, Septura | F Major | 0 | 7B | 133 BPM | |
 | Good Christian Men Rejoice | Huddersfield Choral Society | F Major | 1 | 7B | 171 BPM | |
 | The Advent Candle | Bob Chilcott, Commotio, Tanya Houghton, Matthew Berry | D Major | 1 | 10B | 88 BPM | |
 | How shall I fitly meet thee? | Johann Sebastian Bach, Stephen Cleobury, Choir of King's College, Cambridge, Donal McCann | B Minor | 1 | 10A | 86 BPM | |
 | In The Bleak Midwinter | Gustav Holst, Christina Rossetti, Tenebrae, Nigel Short | F Major | 0 | 7B | 139 BPM | |
 | Sleep, Holy Babe | The Cathedral Singers | F♯ Major | 3 | 2B | 60 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.649080753326416
End: 0.6545219421386719