Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana made "Second Concert, RCT 8: II. La Boucon, Air, gracieux" available on March 4, 2022. With this song being about 5 minutes long, at 5:00, "Second Concert, RCT 8: II. La Boucon, Air, gracieux" by Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana's "Jean-Philippe Rameau: Pièces De Clavecin En Concerts" album is number 5 out of 16. On top of that, Netherlands appears to be the country where this track was created. Second Concert, RCT 8: II. La Boucon, Air, gracieux is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Second Concert, RCT 8: II. La Boucon, Air, gracieux by Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 9 in F Minor: I. Andante spiritoso | Baldassare Galuppi, Víkingur Ólafsson | F Minor | 0 | 4A | 73 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Castor et Pollux, RCT 32, Acte IV, Scène 3: "Rentrez, rentrez dans l'esclavage" (Mercure, Phébé, Pollux, Démons, Monstres et Furies) | Jean-Philippe Rameau, Philippe Talbot, Clémentine Margaine, Florian Sempey, Ensemble Pygmalion, Raphael Pichon | G Major | 3 | 9B | 70 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM |
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