- BPM
- 86
- Key
- F Major
- Camelot
- 7B
Getting Into Shape / Listen You Screwheads / Gun Play / Dear Father & Mother / The Card / Soap Opera - Bernard Herrmann, James P. Nichols Information
- Acousticness
- 57%
- Danceability
- 17%
- Energy
- 12%
- Instrumentalness
- 60%
- Liveness
- 11%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 25%
- Loudness
- -20.864 dB
Summary
"Getting Into Shape / Listen You Screwheads / Gun Play / Dear Father & Mother / The Card / Soap Opera" by Bernard Herrmann, James P. Nichols was released on 1976. With this song being about 5 minutes long, at 5:28, "Getting Into Shape / Listen You Screwheads / Gun Play / Dear Father & Mother / The Card / Soap Opera" by Bernard Herrmann, James P. Nichols is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Taxi Driver". In this album, this song's track order is #7. Getting Into Shape / Listen You Screwheads / Gun Play / Dear Father & Mother / The Card / Soap Opera is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Getting Into Shape / Listen You Screwheads / Gun Play / Dear Father & Mother / The Card / Soap Opera BPM
With Getting Into Shape / Listen You Screwheads / Gun Play / Dear Father & Mother / The Card / Soap Opera by Bernard Herrmann, James P. Nichols having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Getting Into Shape / Listen You Screwheads / Gun Play / Dear Father & Mother / The Card / Soap Opera Key
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | School at Night - Lullaby-Child Version | Claudio Simonetti, Massimo Morante, Fabio Pignatelli, Walter Martino | F Minor | 6 | 4A | 187 BPM | |
 | Para Mi Negra (2nd Version) | Gato Barbieri | E♭ Major | 4 | 5B | 81 BPM | |
 | It's Alive! | Cho Young-Wuk | B♭ Minor | 3 | 3A | 79 BPM | |
 | Filthy Dog | Mark Korven | E♭ Minor | 4 | 2A | 134 BPM | |
| Look Who Is Talking | Cho Young-Wuk | B Minor | 5 | 10A | 120 BPM | |
 | Taxi Driver | Bernard Herrmann, J.A.C. Redford, Carl Allen, Kenny Kirkland, Reginald Veal, Joe Henderson, Terence Blanchard | C Major | 2 | 8B | 172 BPM | |
 | Marion And Sam | Bernard Herrmann | C Major | 0 | 8B | 50 BPM | |
 | Rear Window Suite: II. Lisa - Intermezzo | Franz Waxman, Danish National Symphony Orchestra, John Mauceri | B♭ Minor | 0 | 3A | 131 BPM | |
 | Blanche | Alex North | F Minor | 0 | 4A | 72 BPM | |
 | Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.47925305366516113
End: 0.4838390350341797