"Sonate pour violoncelle No. 2, Op. 81: III. allegro con spirito" by Nikolaï Miaskovski, Anastasia Kobekina, Paloma Kouider was released on October 11, 2018. Sonate pour violoncelle No. 2, Op. 81: III. allegro con spirito is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 3 out of 12 in Anastasia Kobekina et Paloma Kouider by Anastasia Kobekina, Paloma Kouider. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Sonate pour violoncelle No. 2, Op. 81: III. allegro con spirito's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonate pour violoncelle No. 2, Op. 81: III. allegro con spirito by Nikolaï Miaskovski, Anastasia Kobekina, Paloma Kouider is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM | ||
8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | ||
Cavalleria rusticana: Preludio - Intermezzo | Yoko Ara, Takehiko Yamada | G Major | 1 | 9B | 92 BPM | ||
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
Andante Ascension | Markolyno | E♭ Major | 0 | 5B | 80 BPM | ||
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM | ||
Slow Strings | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | D♭ Minor | 0 | 12A | 93 BPM | ||
Serenade: I. Phaedrus. Pausanias. Lento and Allegro | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Piano Trio in G Major, CD 5: II. Scherzo – Intermezzo. Moderato con allegro | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
3 Romances, Op. 22: I. Andante molto | Clara Schumann, Yoshika Masuda, HyeJin Kim | D♭ Major | 0 | 3B | 88 BPM |
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