"Doña Francisquita, Act II: Bella Estrella (Francisquita, Doña Francisca, Fernando, Cardona, Don Matías)" by Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Rosa Maria Ysas, Alfredo Kraus, Santiago Jerico, Alfonso Echeverria was released on January 1, 1994. Since Doña Francisquita, Act II: Bella Estrella (Francisquita, Doña Francisca, Fernando, Cardona, Don Matías) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 20 in Doña Francisquita by Amadeo Vives, Maria Bayo, Alfredo Kraus, Raquel Pierotti, Antoni Ros Marbá, Orquesta Sinfonica De Tenerife. Doña Francisquita, Act II: Bella Estrella (Francisquita, Doña Francisca, Fernando, Cardona, Don Matías) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Doña Francisquita, Act II: Bella Estrella (Francisquita, Doña Francisca, Fernando, Cardona, Don Matías) by Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Rosa Maria Ysas, Alfredo Kraus, Santiago Jerico, Alfonso Echeverria is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
Les Pêcheurs de perles: De mon amie, fleur endormie (Nadir, Leïla) | Georges Bizet, Janine Micheau/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Minor | 0 | 7A | 76 BPM | ||
Doña Francisquita, Act III: Canto Alegre de la Juventud (Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | E Major | 4 | 12B | 85 BPM | ||
Lentos - Remasterizado | Luis Cobos | C Major | 1 | 8B | 61 BPM | ||
Siempre el es Amor | Amadeo Vivos, Amadeo Vives | B Minor | 6 | 10A | 103 BPM | ||
Caballeria Ligera - Obertura | Franz von Suppé, Inma Shara | G Major | 5 | 9B | 115 BPM | ||
El amor y los ojos (Recorded 1953) | Amadeo Vives, Victoria de los Ángeles, Gerald Moore | F♯ Major | 1 | 2B | 86 BPM | ||
Pagliacci / Act I: "Qual fiamma avea nel guardo! ... Stridono lassù" | Ruggero Leoncavallo, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Major | 1 | 11B | 78 BPM | ||
Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
Pan y Toros: "Al Son de las Guitarras" | José Picón, Francisco Asenjo Barbieri, Gran Orquesta Sinfonica | F Major | 1 | 7B | 83 BPM |
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