- BPM
- 68
- Key
- A Major
- Camelot
- 11B
Pour le piano, L. 95: 2. Sarabande - Pt. 3 - Claude Debussy, Werner Haas Information
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 1%
- Instrumentalness
- 22%
- Liveness
- 12%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 9%
- Loudness
- -29.066 dB
Summary
Claude Debussy, Werner Haas's 'Pour le piano, L. 95: 2. Sarabande - Pt. 3' came out on June 7, 2022. The duration of Pour le piano, L. 95: 2. Sarabande - Pt. 3 is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Pour le piano, L. 95: 2. Sarabande - Pt. 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Pour le piano, L. 95: 2. Sarabande - Pt. 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pour le piano, L. 95: 2. Sarabande - Pt. 3 BPM
The tempo marking of Pour le piano, L. 95: 2. Sarabande - Pt. 3 by Claude Debussy, Werner Haas is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Pour le piano, L. 95: 2. Sarabande - Pt. 3 Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | |
 | Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | |
 | 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | |
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | |
 | Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | |
 | Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Daniel Barenboim | D♭ Major | 0 | 3B | 66 BPM | |
 | Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | |
 | Prélude à l’après-midi d’un faune | Claude Debussy, Philippe Bernold, Ariane Jacob, Gérard Caussé, Isabelle Moretti | B Major | 0 | 1B | 70 BPM | |
 | The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM |
- ISRC
- FRUM72200853
- Label
- L-M Records/RCA Records
Section: 0.725163459777832
End: 0.7281930446624756