"Huit morceaux, Op. 39: I. Prélude" by Reinhold Glière, Daria Zappa, Mattia Zappa was released on June 15, 2007. The duration of Huit morceaux, Op. 39: I. Prélude is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Huit morceaux, Op. 39: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Portrait: Violin and Cello Duo". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Switzerland. Huit morceaux, Op. 39: I. Prélude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Huit morceaux, Op. 39: I. Prélude by Reinhold Glière, Daria Zappa, Mattia Zappa having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90 (version for piano 4 hands): III. Un poco allegretto | Johannes Brahms, Christian Kohn, Silke-Thora Matthies | D Major | 0 | 10B | 115 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Fidelio, Op. 72: Overture | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | E Major | 1 | 12B | 62 BPM | ||
Eight Duets for Violin and Violoncello, Op. 39: I. Preludium | Reinhold Glière, Sergeij Kravchenko, Jurij Seminov | D Major | 1 | 10B | 99 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
In einer Nacht, Op. 15: No. 2, Sehr langsam - Musical Moments | Paul Hindemith, Elisabeth Brauß | D♭ Minor | 0 | 12A | 100 BPM | ||
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 2 | 11A | 69 BPM | ||
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM |
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