"Feud: Bette and Joan - End Credits" by Mac Quayle was released on August 11, 2017. The duration of Feud: Bette and Joan - End Credits is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Feud: Bette and Joan - End Credits's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 23 in Feud: Bette and Joan (Original Television Soundtrack) by Mac Quayle. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Feud: Bette and Joan - End Credits is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Feud: Bette and Joan - End Credits by Mac Quayle is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bends | Marco Beltrami, Brandon Roberts | E♭ Minor | 3 | 2A | 87 BPM | ||
Grass Attack | Jed Kurzel | D♭ Major | 3 | 3B | 65 BPM | ||
Four Windows | Jason Hill | A Minor | 0 | 8A | 126 BPM | ||
To Catch a Fantasy | Jason Hill | A♭ Major | 3 | 4B | 67 BPM | ||
Elevated Trains | Brian Reitzell | F♯ Minor | 2 | 11A | 130 BPM | ||
Frameshift & Starports: Frameshift Suite - Fourth Movement - Draco | Erasmus Talbot | B♭ Minor | 4 | 3A | 122 BPM | ||
Beyond the Horizon | Olivier Deriviere | A Minor | 2 | 8A | 61 BPM | ||
This Black Holes Dark Heart | Clint Mansell | C Major | 1 | 8B | 75 BPM | ||
Riley’s Choice | Lovett | E♭ Minor | 1 | 2A | 84 BPM | ||
Done For The Night | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM |
Section: 0.5301244258880615
End: 0.5365848541259766