Jean-Marie Leclair, Simon Standage, Micaela Comberti, Jane Coe, Nicholas Parle's 'Première récréation de musique d'une exécution facile, Op. 6: VI. Passepieds I & II' had a release date set for February 1, 1997. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Première récréation de musique d'une exécution facile, Op. 6: VI. Passepieds I & II's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Marie Leclair, Simon Standage, Micaela Comberti, Jane Coe, Nicholas Parle's "Leclair: Première récréation de musique d'une exécution facile, Sonata in D Major & Trio in A Major" album is number 6 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Première récréation de musique d'une exécution facile, Op. 6: VI. Passepieds I & II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Première récréation de musique d'une exécution facile, Op. 6: VI. Passepieds I & II by Jean-Marie Leclair, Simon Standage, Micaela Comberti, Jane Coe, Nicholas Parle to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Flute Concerto in G major: 2. Arioso | Johann Joachim Quantz, Jean-Pierre Rampal, Antiqua Musica Orchestra, Jacques Roussel | G Minor | 1 | 6A | 79 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 72 BPM | ||
Royer: Pièces de clavecin, Book 1 (1746): No. 4 Tambourins: Premier Tambourin (Suite des Matelots) & Deuxième Tambourin | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | C Major | 4 | 8B | 76 BPM |