- BPM
- 65
- Key
- E♭ Major
- Camelot
- 5B
Egmont, Op. 84: No. 6. Entr'acte No. 4: Larghetto - Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd Information
- Acousticness
- 97%
- Danceability
- 25%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 8%
- Popularity
- 2%
- Loudness
- -18.772 dB
Summary
"Egmont, Op. 84: No. 6. Entr'acte No. 4: Larghetto" by Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd was released on January 26, 2010. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 13 in Beethoven, L. van: Egmont / Ah, perfido by Ludwig van Beethoven, James Judd. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Egmont, Op. 84: No. 6. Entr'acte No. 4: Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Egmont, Op. 84: No. 6. Entr'acte No. 4: Larghetto BPM
The tempo marking of Egmont, Op. 84: No. 6. Entr'acte No. 4: Larghetto by Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Egmont, Op. 84: No. 6. Entr'acte No. 4: Larghetto Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | |
 | 18 Études, Op. 109: No. 7, Berceuse | Franz Burgmüller, Carl Petersson | F Major | 0 | 7B | 85 BPM | |
| Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | |
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | |
 | Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | |
 | Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | |
 | Verschiedene Volkslieder, WoO 157: No. 8, By the Side of the Shannon | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | G Major | 2 | 9B | 103 BPM | |
 | Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | |
 | Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | |
 | String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM |
- ISRC
- HKI190942507
- Label
- L-M Records/RCA Records
Section: 0.703056812286377
End: 0.7066555023193359