Maria Bayo, J.A. Alvarez-Parejo made "El amor es como un niño…" available on January 1, 1992. With El amor es como un niño… being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, El amor es como un niño… is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of El amor es como un niño… by Maria Bayo, J.A. Alvarez-Parejo is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Major | 0 | 8B | 139 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Brezairola | Joseph Canteloube, Maria Bayo, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez | B♭ Major | 1 | 6B | 130 BPM | ||
Briseida: No. 13, Aria "Deydad que las venganzas" | Antonio Rodríguez de Hita, Maria Bayo, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 82 BPM | ||
Spesso vibra per suo gioco | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 135 BPM | ||
El Barberillo de Lavapies, Act III: La Calesera de Lavapiés (Lamparilla, Don Luis, Marquesita, Paloma,) | Francisco Asenjo Barbieri, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez, Manuel Lanza, Jose Sempere, Maria Bayo, Lola Casariego | D Major | 3 | 10B | 111 BPM | ||
Ruhe Sanft, Mein Holdes Lebel - Zaïde K344 | Wolfgang Amadeus Mozart, Maria Bayo, Orquesta Sinfónica de Galicia, Victor Pablo Pérez | G Major | 1 | 9B | 75 BPM | ||
Macbeth: Overture (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Minor | 0 | 4A | 106 BPM | ||
Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM |
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