On July 2, 2013, the song "Naughty Marietta, Act II: Ah! Sweet Mystery of Life" was released by Victor Herbert, Ambrose Orchestra, Bert Ambrose. The duration of Naughty Marietta, Act II: Ah! Sweet Mystery of Life is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Naughty Marietta, Act II: Ah! Sweet Mystery of Life's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 24 in Fabulous British Dance Bands: Bert Ambrose - From the Depression Years to the Second World War (Recordings 1931-1942) by Bert Ambrose. Based on our statistics, Naughty Marietta, Act II: Ah! Sweet Mystery of Life's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Naughty Marietta, Act II: Ah! Sweet Mystery of Life by Victor Herbert, Ambrose Orchestra, Bert Ambrose is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wedgwood Blue | Albert Ketèlbey, Royal Philharmonic Orchestra, Royal Philharmonic Chorus, Eric Rogers | B♭ Major | 2 | 6B | 128 BPM | ||
Haydn: Trumpet Concerto In E Flat - Ii Andante | Franz Joseph Haydn, Tine Thing Helseth | A♭ Major | 0 | 4B | 74 BPM | ||
Unter Donner und Blitz, Polka, Op.324 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 78 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
L’Arlésienne Suite No. 2: III. Minuet | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | E♭ Major | 0 | 5B | 79 BPM | ||
Champagne Polka Op. 211 | Johann Strauss II, Hallé, Bramwell Tovey | E♭ Major | 2 | 5B | 140 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | D Major | 4 | 10B | 125 BPM | ||
Hary Janos Suite: Háry János Suite: II. Viennese Musical Clock | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | B♭ Major | 1 | 6B | 121 BPM |
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