"劇音楽《ペール・ギュント》: 劇音楽《ペール・ギュント》: ソルヴェイグの歌" by エドヴァルド・グリーク, Yukari Miyake, Japan Maritime Self-Defense Force Band,Tokyo, 手塚裕之 was released on June 1, 2016. With this song being about 5 minutes long, at 5:04, "劇音楽《ペール・ギュント》: 劇音楽《ペール・ギュント》: ソルヴェイグの歌" by エドヴァルド・グリーク, Yukari Miyake, Japan Maritime Self-Defense Force Band,Tokyo, 手塚裕之 is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "THE BEST ~DEEP BLUE SPIRITS~". In this album, this song's track order is #16. Based on our statistics, 劇音楽《ペール・ギュント》: 劇音楽《ペール・ギュント》: ソルヴェイグの歌's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 劇音楽《ペール・ギュント》: 劇音楽《ペール・ギュント》: ソルヴェイグの歌 by エドヴァルド・グリーク, Yukari Miyake, Japan Maritime Self-Defense Force Band,Tokyo, 手塚裕之 having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estampes, L. 100: No. 3, Jardins sous la pluie | Claude Debussy, Mao Fujita | B Major | 4 | 1B | 112 BPM | ||
12 Etudes in All the Minor Keys, Op. 39 / No. 12, Le festin d'Ésope: Var. 14 - Var. 16 | Charles-Valentin Alkan, Bruce Liu | E Minor | 4 | 9A | 99 BPM | ||
ノクターン 第20番 嬰ハ短調 遺作 | エヴァ・ポブウォツカ | D♭ Minor | 0 | 12A | 80 BPM | ||
Nocturne No. 5 in B-Flat Major, Op. 37 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Etude Op. 25 no. 7 in c sharp minor | Valentina Lisitsa | D♭ Minor | 0 | 12A | 66 BPM | ||
5 Preludes, Op. 15 *: No. 3 in E Major | Alexander Scriabin, Maria Lettberg | E Major | 1 | 12B | 78 BPM | ||
8 Piano Pieces, Op. 76: No. 2. Capriccio in B Minor | Johannes Brahms, Peter Longworth | B Major | 1 | 1B | 153 BPM | ||
シューベルト: 4つの即興曲 作品90 I. アレグロ・モルト・モデラート | Franz Schubert, Kyohei Sorita | E Major | 0 | 12B | 64 BPM | ||
《四季》~11月: Tchaikovsky: 《四季》~11月 - トロイカ | Pyotr Ilyich Tchaikovsky, Fujiko Hemming | E Major | 1 | 12B | 65 BPM | ||
月の光~ベルガマスク組曲より | Claude Debussy, Bruno Rigutto | G Major | 0 | 9B | 75 BPM |
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