Paolo Caroli (Flavio), Mario Filippeschi (Pollione); Paolo Caroli (Flavio); Chorus's 'Meco All'altar Di Venere' came out on September 8, 2010. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Best Of Norma - The Opera Masters Series". In this album, this song's track order is #1. Based on our statistics, Meco All'altar Di Venere's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Meco All'altar Di Venere by Paolo Caroli (Flavio), Mario Filippeschi (Pollione); Paolo Caroli (Flavio); Chorus having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 1 Scene 1: No. 3, Récitatif, "Mais, ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM | ||
Puccini: Turandot, Act 1: "Popolo di Pekino!" (Mandarin, Crowd, Liù) | Giacomo Puccini, Elisabeth Schwarzkopf, Coro Del Teatro Alla Scala Di Milano, Giulio Mauri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Ah talor del tuo pensiero" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Puccini: Tosca, Act 3: "O dolci mani mansuete e pure" (Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 1 | 8B | 69 BPM | ||
Giuletta E Romeo - Giuletta Son Io | Miguel Fleta | A Major | 2 | 11B | 75 BPM | ||
Andrea Chénier / Act 2: Roucher? ... Credo a una possanza arcana | Umberto Giordano, Luciano Pavarotti, Tom Krause, National Philharmonic Orchestra, Riccardo Chailly | D♭ Major | 2 | 3B | 87 BPM | ||
Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
Les Contes d'Hoffmann / Act 1: Dans les rôles d'amoureux langoureux | Jacques Offenbach, Andreas Schmidt, Orchestre National De France, Seiji Ozawa | C Major | 2 | 8B | 137 BPM |
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