"Trionfo di Afrodite: No. 2 Corteo nuziale ed arrivo della sposa e dello sposo" by Carl Orff, Kurt Böhme, Annelies Kupper, Elisabeth Lindermeier, Richard Holm, Bavarian Radio Chorus, Josef Kugler, Bavarian Radio Symphony Orchestra, Eugen Jochum was released on January 1, 2002. The duration of Trionfo di Afrodite: No. 2 Corteo nuziale ed arrivo della sposa e dello sposo is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Trionfo di Afrodite: No. 2 Corteo nuziale ed arrivo della sposa e dello sposo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Orff: Carmina burana; Catulli Carmina; Trionfo d'Afrodite". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Trionfo di Afrodite: No. 2 Corteo nuziale ed arrivo della sposa e dello sposo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trionfo di Afrodite: No. 2 Corteo nuziale ed arrivo della sposa e dello sposo by Carl Orff, Kurt Böhme, Annelies Kupper, Elisabeth Lindermeier, Richard Holm, Bavarian Radio Chorus, Josef Kugler, Bavarian Radio Symphony Orchestra, Eugen Jochum having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IX. In taberna quando sumus (When we are in the tavern) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Major | 2 | 11B | 148 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Carmina Burana: Fortune plango vulnera | Carl Orff, Ross Pople | A Minor | 1 | 8A | 114 BPM | ||
Carmina Burana: No. 1, Fortuna Imperatrix Mundi, "O Fortuna" | Carl Orff, Anima Eterna, Collegium Vocale Gent, Cantate Domino, Jos Van Immerseel | D Major | 3 | 10B | 134 BPM | ||
Also sprach Zarathustra, Op.30: Prelude (Sonnenaufgang) | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | C Major | 2 | 8B | 140 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Ave Maria, Op. 52/6, D. 839 | Franz Schubert, Christa Ludwig, Irwin Gage | G Major | 2 | 9B | 177 BPM |
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