Royal Philharmonic Orchestra's 'OVERTURE TO "THE BARBER OF SEVILLE"' came out on February 15, 1994. Since OVERTURE TO "THE BARBER OF SEVILLE" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 58 in CLASSICAL MUSIC FOR PEOPLE WHO HATE CLASSICAL MUSIC 4-CD SET by Various Artists. OVERTURE TO "THE BARBER OF SEVILLE" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of OVERTURE TO "THE BARBER OF SEVILLE" by Royal Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Westminster Waltz | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 62 BPM | ||
The Barn - Love Theme | Lucie Svehlová | D Minor | 3 | 7A | 65 BPM | ||
Tale as Old as Time - Instrumental / From "Beauty and the Beast" | London Music Works | F Minor | 1 | 4A | 168 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
A Broken Heart | Nigel Hess, Joshua Bell, Royal Philharmonic Orchestra | A♭ Major | 0 | 4B | 64 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Never Say Goodbye (Adapted from "Pavane, M. 19") | Hayley Westenra | G Major | 2 | 9B | 132 BPM | ||
Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM | ||
Walking the Dog | George Gershwin, Iain Sutherland Concert Orchestra, Iain Sutherland | C Major | 2 | 8B | 120 BPM | ||
Almost There - From "Princess and the Frog" | Royal Philharmonic Orchestra | G Major | 3 | 9B | 79 BPM |
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