Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Marie Luise Neunecker, Natalia Gutman made "Schumann: Andante and Variations, Op. 46: I. Sostenuto - Andante espressivo" available on 1995. Since Schumann: Andante and Variations, Op. 46: I. Sostenuto - Andante espressivo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Schumann:Klavierquintett/Andante & Variationen/Fantasiestücke/Märchenbilder". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Schumann: Andante and Variations, Op. 46: I. Sostenuto - Andante espressivo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Schumann: Andante and Variations, Op. 46: I. Sostenuto - Andante espressivo by Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Marie Luise Neunecker, Natalia Gutman having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
9 Preludes, Op. 103: No. 8 in C Minor | Gabriel Fauré, Kathryn Stott | A♭ Major | 1 | 4B | 109 BPM | ||
24 Preludes, Op. 11: No. 18 in F Minor | Alexander Scriabin, Evgeny Zarafiants | F Minor | 2 | 4A | 81 BPM | ||
13 Variations On A Theme By Anselm Hüttenbrenner, D.576: Thema. Andantino | Franz Schubert, Wilhelm Kempff | A Minor | 0 | 8A | 126 BPM | ||
Quartett Für Oboe, Violine, Viola Und Violincello - F-dur Kv 370 - Allegro | Mannheim String Quartet, Reiner Wehle, Fumiaki Miyamoto, Marie Luise Neunecker | F Major | 1 | 7B | 134 BPM | ||
Scriabin: 4 Pieces, Op. 51: No. 2, Prélude | Alexander Scriabin, Mikhail Pletnev | F Major | 0 | 7B | 69 BPM | ||
Rêverie In D Flat, Op.24 (Andantino) | Alexander Glazunov, Marie Luise Neunecker, Bamberg Symphony, Werner Andreas Albert | D♭ Major | 0 | 3B | 83 BPM | ||
24 Preludes For Piano, Op.11: No. 12 In G Sharp Minor | Alexander Scriabin, Yuja Wang | A♭ Minor | 0 | 1A | 73 BPM | ||
Cello Sonata No. 2 in F Major, Op. 99: III. Allegro appassionata | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Minor | 1 | 4A | 101 BPM | ||
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation III. Con moto | Johannes Brahms, Martha Argerich, Alexandre Rabinovitch | A♭ Major | 0 | 4B | 69 BPM | ||
48 Esquisses, Op. 63, Book 4: No. 38, Les bons souhaits | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM |
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