Arcangelo Corelli, Tafelmusik Baroque Orchestra, Jeanne Lamon's 'Concerto grosso in C Minor, Op. 6, No. 3: IV. Allegro' came out on 1989. The duration of Concerto grosso in C Minor, Op. 6, No. 3: IV. Allegro is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Concerto grosso in C Minor, Op. 6, No. 3: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 28 in Corelli: Concerti Grossi, opus 6 - Baroque Esprit Series by Arcangelo Corelli, Jeanne Lamon. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Concerto grosso in C Minor, Op. 6, No. 3: IV. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso in C Minor, Op. 6, No. 3: IV. Allegro by Arcangelo Corelli, Tafelmusik Baroque Orchestra, Jeanne Lamon is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | B♭ Major | 1 | 6B | 85 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Sonata in G, BuxWV 271: I. Allegro | Dietrich Buxtehude, La Rêveuse | F♯ Major | 3 | 2B | 83 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 3 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM |
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