Georg Philipp Telemann, Frans Brüggen, André Rieu, Franz Vester, Gustav Leonhardt, Paul Doctor, Chamber Orchestra of Amsterdam, Concerto Amsterdam, Südwestdeutsches Kammerorchester, & Friedrich Tilegant, Franz Vester, Gustav Leonhardt, André Rieu, Concertgebouw Chamber Orchestra made "Telemann: Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo" available on 1969. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Telemann : Suite in A minor, Concertos in E minor & G major & Overture des Nations (anciens et modernes - APEX)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Telemann: Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Telemann: Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo by Georg Philipp Telemann, Frans Brüggen, André Rieu, Franz Vester, Gustav Leonhardt, Paul Doctor, Chamber Orchestra of Amsterdam, Concerto Amsterdam, Südwestdeutsches Kammerorchester, & Friedrich Tilegant, Franz Vester, Gustav Leonhardt, André Rieu, Concertgebouw Chamber Orchestra having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | ||
Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Minor | 1 | 1A | 73 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato | Luigi Boccherini, José Miguel Moreno, La Real Cámara | E♭ Minor | 1 | 2A | 118 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 78 BPM | ||
Trio Sonata in F Major, HWV 392: IV. Allegro assai | George Frideric Handel, The Brook Street Band | E Major | 4 | 12B | 144 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM |
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