Ludwig van Beethoven, Amadeus Quartet made "Grosse Fuge in B Flat Major, Op. 133: III. Allegro molto e con brio (I)" available on May 1, 2021. The duration of Grosse Fuge in B Flat Major, Op. 133: III. Allegro molto e con brio (I) is about 3 minutes long, at 3:29. Based on our data, "Grosse Fuge in B Flat Major, Op. 133: III. Allegro molto e con brio (I)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 153 in the song's album "Simply Beethoven". In this album, this song's track order is #46. Furthermore, we believe that the track originated from Germany. Based on our statistics, Grosse Fuge in B Flat Major, Op. 133: III. Allegro molto e con brio (I)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Grosse Fuge in B Flat Major, Op. 133: III. Allegro molto e con brio (I) by Ludwig van Beethoven, Amadeus Quartet having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 2, No. 1: II. Adagio | Ludwig van Beethoven, Igor Levit | F Major | 0 | 7B | 67 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM |
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