Matteo Carcassi, Paco Hallak made "25 Etudes, Op.60: No.2" available on December 23, 2022. The duration of 25 Etudes, Op.60: No.2 is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 25 Etudes, Op.60: No.2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matteo Carcassi, Paco Hallak's "Matteo Carcassi: 25 Melodic & Progressive Studies, Op. 60" album is number 2 out of 25. In terms of popularity, 25 Etudes, Op.60: No.2 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 25 Etudes, Op.60: No.2 by Matteo Carcassi, Paco Hallak to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle #2 | Francis Kleynjans | D Major | 2 | 10B | 77 BPM | ||
Keyboard Sonata in E Major, K.380/L.23/P.483 (arr. L. Raus for guitar) | Domenico Scarlatti, Lore Raus, Pablo Garibay | B Major | 1 | 1B | 86 BPM | ||
Interlude 4 - Arpeggios | Timothy Lane Brace, Tim Brace, Dragos Ilie | D Major | 3 | 10B | 121 BPM | ||
Caprice No. 24, Op. 1: Tema - Quasi presto - Variazioni - Finale | Judicaël Perroy | A Minor | 1 | 8A | 90 BPM | ||
Sonate, Op. 61: III. allegro vivo | Joaquín Turina, Sebastien Llinares | A Minor | 0 | 8A | 88 BPM | ||
Tonada Sin Retorno | Eulogio Dávalos, Oscar Ohlsen, José Oplustil | E♭ Major | 0 | 5B | 84 BPM | ||
Forgotten: Impromptu | Catharina Josepha Pratten, Alexandra Whittingham | D Minor | 5 | 7A | 152 BPM | ||
Homenaje, "Le Tombeau de Claude Debussy" (version for guitar) | Manuel de Falla, Johannes Möller | F Major | 0 | 7B | 77 BPM | ||
Concerto for 2 Guitars & Orchestra: III. Allegro moderato | Hermann Ambrosius, Duo Imbesi Zangarà, Orchestra a Plettro Conservatorio A. Scarlatti Palermo | G Major | 3 | 9B | 128 BPM | ||
36 Caprices, Op. 20: XV. Presto | Luigi Legnani, Pavel Steidl | B Minor | 2 | 10A | 100 BPM |
Section: 0.6261849403381348
End: 0.6299586296081543