"Der Herr verstößet nicht ewiglich, TWV 1:288: IV. Trauet doch auf Gottes Güte" by Georg Philipp Telemann, Elisabeth Scholl, Neumeyer Consort, Felix Koch was released on January 14, 2022. The duration of Der Herr verstößet nicht ewiglich, TWV 1:288: IV. Trauet doch auf Gottes Güte is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Der Herr verstößet nicht ewiglich, TWV 1:288: IV. Trauet doch auf Gottes Güte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Der Herr verstößet nicht ewiglich, TWV 1:288: IV. Trauet doch auf Gottes Güte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Herr verstößet nicht ewiglich, TWV 1:288: IV. Trauet doch auf Gottes Güte by Georg Philipp Telemann, Elisabeth Scholl, Neumeyer Consort, Felix Koch is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 5 | 7A | 103 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: II. Adagio | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | C Minor | 1 | 5A | 78 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
Abdelazar Suite, Z. 570: V. Minuet | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D: 4. (Grave) | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 91 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 0 | 3B | 74 BPM |
Section: 0.5874285697937012
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