- BPM
- 172
- Key
- B♭ Minor
- Camelot
- 3A
Speranza: II. Hoffen - Mark-Anthony Turnage, London Symphony Orchestra, Daniel Harding Information
- Acousticness
- 95%
- Danceability
- 10%
- Energy
- 4%
- Instrumentalness
- 75%
- Liveness
- 7%
- Loudness
- 49%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 7%
- Loudness
- -30.828 dB
Summary
"Speranza: II. Hoffen" by Mark-Anthony Turnage, London Symphony Orchestra, Daniel Harding was released on October 28, 2013. Since Speranza: II. Hoffen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Turnage: Speranza & From the Wreckage". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The popularity of Speranza: II. Hoffen is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Speranza: II. Hoffen BPM
With Speranza: II. Hoffen by Mark-Anthony Turnage, London Symphony Orchestra, Daniel Harding having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
Speranza: II. Hoffen Key
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scorched - based on Tunes by John Scofield: Let's Say We Did | Mark-Anthony Turnage, John Scofield, John Patitucci, Peter Erskine, Frankfurt Radio Symphony Orchestra, hr-Bigband, Hugh Wolff | E♭ Major | 3 | 5B | 87 BPM | |
 | Serenade: I. Phaedrus - Pausanias: Lento - Allegro | Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | |
 | 12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | |
 | Ebony Concerto: 1. Allegro moderato | Igor Stravinsky, Dimitri Ashkenazy, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | B♭ Major | 3 | 6B | 89 BPM | |
 | Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | |
 | Andante for Strings | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 0 | 7B | 56 BPM | |
 | Greek - Act 2: Scene 4a (Eddy's Return) | Mark-Anthony Turnage, Helen Charnock, Fiona Kimm, Richard Suart, Quentin Hayes, The Greek Ensemble, Richard Bernas | D♭ Major | 1 | 3B | 170 BPM | |
| Greek - Act 2: Scene 1a (Café) | Mark-Anthony Turnage, Fiona Kimm, Quentin Hayes, The Greek Ensemble, Richard Bernas | F♯ Major | 0 | 2B | 104 BPM | |
 | 6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | |
 | Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM |
- ISRC
- GBDGQ1324402
- Label
- L-M Records/RCA Records
Section: 0.7026965618133545
End: 0.7063875198364258