Domenico Cimarosa, Musique des équipages de la flotte de Toulon, Gérard Besse made "CONCERTO FOR OBOE AND BAND, Pt. 2: ALLEGRO" available on January 1, 1998. The duration of CONCERTO FOR OBOE AND BAND, Pt. 2: ALLEGRO is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. CONCERTO FOR OBOE AND BAND, Pt. 2: ALLEGRO's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Musique des équipages de la flotte de Toulon, Gérard Besse's "Music Please!" album is number 5 out of 17. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, CONCERTO FOR OBOE AND BAND, Pt. 2: ALLEGRO is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of CONCERTO FOR OBOE AND BAND, Pt. 2: ALLEGRO by Domenico Cimarosa, Musique des équipages de la flotte de Toulon, Gérard Besse to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il matrimonio segreto: Sinfonia | Domenico Cimarosa, English Chamber Orchestra, Daniel Barenboim | D Major | 2 | 10B | 152 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM | ||
Il matrimonio segreto / Act 2: Son lunatico, bilioso | Domenico Cimarosa, Alberto Rinaldi, Julia Varady, English Chamber Orchestra, Daniel Barenboim | D Major | 3 | 10B | 141 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo": II. Andante | Ludwig van Beethoven, Mari Kodama | B♭ Major | 0 | 6B | 170 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM |
Section: 0.7293062210083008
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