Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien's 'Bach, JS: Mass in B Minor, BWV 232: Et in terra pax' came out on January 1, 1968. With this song being about 5 minutes long, at 4:39, "Bach, JS: Mass in B Minor, BWV 232: Et in terra pax" by Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 26 in Bach: Mass in B Minor, BWV 232 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Mass in B Minor, BWV 232: Et in terra pax is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Mass in B Minor, BWV 232: Et in terra pax by Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Was für ein jauchzendes Gedränge, TWV 1:1509: No. 9, Ei, meine Perl, du werte Kron | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Kölner Akademie, Michael Alexander Willens | F♯ Major | 1 | 2B | 66 BPM | ||
III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend | Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman | B Minor | 1 | 10A | 126 BPM | ||
I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Prima Parte, Coro: Es Ist Dir Gesagt, Mensch, Was Gut Ist | Holland Boys Choir; Netherlands Bach Collegium, Ofer Frenkel, Knut Schoch, Bas Ramselaar, Sytse Buwalda, Peter Frankenberg, Johann Sebastian Bach, Marion Moonen, Frederique Chauvet, Ruth Holton, Pieter Jan Leusink | E♭ Major | 3 | 5B | 86 BPM | ||
II. Lobe Den Herrn, Meine Seele BWV 143, For New Year's Day, Am Neujahrstag: Coro, Lobe Den Herrn, Meine Seele | Pieter Jan Leusink, Ruth Holton, Teunis van der Zwart, Nico Van Der Meel, Louis Van Emmerik, Johann Sebastian Bach, Bas Ramselaar, Sytse Buwalda, Frank Aarnink, Helen Macdougall, Amsterdam Classics B.V., Jean Van Vugt, Erwin Wieringa, Holland Boys Choir, Netherlands Bach Collegium | B Major | 1 | 1B | 129 BPM | ||
I. Gott Ist Mein König BWV 71, 1. Coro: Gott Ist Mein König | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Anneke Boeke, Will Wroth, Hendrik Jan Houtsma, Sytse Buwalda, Peter Frankenberg, Bas Ramselaar, Knut Schoch, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Frank Aarnink, Susan Williams, Pieter Jan Leusink | D♭ Major | 1 | 3B | 92 BPM | ||
III. Freue Dich, Erlöste Schar BWV 30, For The Feast Of John Baptist, Am Sonntag Cantate, Prima Parte: Choral (Coro), Eine Stimme Läßt Sich Hören | Pieter Jan Leusink, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Louis Van Emmerik, Doretthe Janssens, Holland Boys Choir; Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Oeds Van Middelkoop, Peter Frankenberg, Susanne Grutzmacher | D♭ Major | 2 | 3B | 85 BPM | ||
German Mass, D.872: Transubstantiation: Betrachtend deine Huld und Güte | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer | D Major | 0 | 10B | 124 BPM | ||
Der Herr ist König, TWV 8:6: II. No. 5, Chorus: Die Töchter Zion sind fröhlich | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Lobe den Herrn, meine Seele (Chorus) | Johann Sebastian Bach, Katherine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 103 BPM | ||
I. Herr Jesu Christ, Du Höchstes Gut BWV 113, Coro: Herr Jesu Christ, Du Höchstes Gut | Pieter Jan Leusink, Ofer Frenkel, Peter Frankenberg, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Kate Clark | G Major | 2 | 9B | 124 BPM |
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