Nigel Hitchcock, Beverley Craven made "You're Mine" available on 2013. The duration of You're Mine is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. You're Mine's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Smoothitch". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of You're Mine is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With You're Mine by Nigel Hitchcock, Beverley Craven having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come A Long Way | Thana Alexa, Nicole Zuraitis, Julia Adamy, Dan Pugach | G Minor | 5 | 6A | 134 BPM | ||
I Was Very Sad Yesterday | Aas Mads | F Minor | 5 | 4A | 98 BPM | ||
Maybe I'm Amazed | Dannah Garay | C Minor | 5 | 5A | 91 BPM | ||
There | Joseph Mooney, Ansley Gaffney | G Major | 4 | 9B | 163 BPM | ||
Waltz for McCoy | Alexander Niles, Nigel Hitchcock, Danny Gottlieb | D Major | 5 | 10B | 128 BPM | ||
Voodoo Man | Baiana | B Minor | 5 | 10A | 131 BPM | ||
Nothing More (Cat Song) | Anne Marie | C Major | 2 | 8B | 180 BPM | ||
Why Wish for the Moon | Sheila Waterfield | A♭ Major | 3 | 4B | 73 BPM | ||
Champagne Tears | Nigel Hitchcock | F Major | 6 | 7B | 83 BPM | ||
It Came Upon the Midnight Clear | Little Light Worship | E Minor | 3 | 9A | 77 BPM |
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