Craig Armstrong's 'The Quiet American' came out on November 26, 2002. The Quiet American is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 12 in the song's album "The Quiet American (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of The Quiet American is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Quiet American by Craig Armstrong having a BPM of 183 with a half-time of 92 BPM and a double-time of 366 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
Maya | Mychael Danna | C Major | 1 | 8B | 111 BPM | ||
The John Dunbar Theme (From "Dances With Wolves") | John Barry | E♭ Major | 1 | 5B | 83 BPM | ||
All's Well That End's Well | Christian Henson | B Major | 1 | 1B | 135 BPM | ||
Most Ardently in Love | Samuel Sim | G Minor | 2 | 6A | 153 BPM | ||
This Is Our Planet - From "Our Planet" | Steven Price | B♭ Major | 3 | 6B | 97 BPM | ||
Miss Sloane Solo | Max Richter | F Minor | 0 | 4A | 147 BPM | ||
The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic | B♭ Major | 1 | 6B | 78 BPM | ||
Transformation | The Cinematic Orchestra, London Metropolitan Orchestra | F♯ Major | 2 | 2B | 92 BPM |
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