"Drei gemischte Chöre (arr. for brass ensemble by Jarle Storløkken): No. 1, Abendfeier in Venedig" by Clara Schumann, tenThing, Tine Thing Helseth was released on March 29, 2024. The duration of Drei gemischte Chöre (arr. for brass ensemble by Jarle Storløkken): No. 1, Abendfeier in Venedig is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Drei gemischte Chöre (arr. for brass ensemble by Jarle Storløkken): No. 1, Abendfeier in Venedig's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "She Composes Like A Man". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Norway. Drei gemischte Chöre (arr. for brass ensemble by Jarle Storløkken): No. 1, Abendfeier in Venedig is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Drei gemischte Chöre (arr. for brass ensemble by Jarle Storløkken): No. 1, Abendfeier in Venedig by Clara Schumann, tenThing, Tine Thing Helseth having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vårsøg (Arr. Kåre Nordstoga) | Kåre Nordstoga, Henning Sommerro, Tine Thing Helseth | D Minor | 1 | 7A | 69 BPM | ||
Hummel: Trumpet Concerto In E Flat - Ii Andante | Johann Nepomuk Hummel, Tine Thing Helseth | A♭ Major | 1 | 4B | 92 BPM | ||
Sonata No. 3 in G Major: III. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 141 BPM | ||
3 Romances, Op. 21: No. 3, Agitato | Clara Schumann, Junghwa Lee | A Major | 2 | 11B | 146 BPM | ||
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
Tilson Thomas: Snappy Patter II | Michael Tilson Thomas, Ian Bousfield | F Major | 2 | 7B | 149 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Hino 395 - 3T Brass Band | 3T Brass | E♭ Major | 0 | 5B | 80 BPM | ||
Conversations | Tine Thing Helseth | C Minor | 4 | 5A | 124 BPM | ||
12 Marches héroiques 'Heldenmusik', TWV 50: 31-42 III. Die Tapferkeit - La Vaillance (Arr. Tine Thing Helseth & Kåre Nordstoga) | Georg Philipp Telemann, Tine Thing Helseth, Kåre Nordstoga | D Major | 2 | 10B | 102 BPM |
Section: 0.509429931640625
End: 0.5149745941162109