Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine's 'Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Batti, batti, o bel Masetto"' came out on January 1, 1997. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine's "Mozart: Opera Arias" album is number 8 out of 13. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Batti, batti, o bel Masetto" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Batti, batti, o bel Masetto" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia concertante in E-Flat Major, K. 297b: I. Allegro | Wolfgang Amadeus Mozart, Jiri Krejci, Vaclav Kyzivat, Zdeněk Tylšar, Jiri Seidl, Capella Istropolitana, Richard Edlinger | E♭ Major | 1 | 5B | 127 BPM | ||
Violin Sonata No. 22 in A Major, K. 305: I. Allegro di molto | Wolfgang Amadeus Mozart, Ray Chen | E Major | 1 | 12B | 153 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Piano Sonata No. 15 in F Major, K. 533: III. Rondo: Allegretto, K. 494 | Wolfgang Amadeus Mozart, William Youn | F Major | 1 | 7B | 137 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 126 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM |
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