Aurèle Nicolet's 'Kraus: Flute Quintet In D Major, "Wiener Flötenquintett": Flute Quintet In D Major, "Wiener Flötenquintett": III. Allegro Con Brio' came out on March 10, 1992. Kraus: Flute Quintet In D Major, "Wiener Flötenquintett": Flute Quintet In D Major, "Wiener Flötenquintett": III. Allegro Con Brio is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Aurèle Nicolet's "Luigi Boccherini & Joseph Martin Kraus: Flute Quintets" album is number 9 out of 13. Based on our statistics, Kraus: Flute Quintet In D Major, "Wiener Flötenquintett": Flute Quintet In D Major, "Wiener Flötenquintett": III. Allegro Con Brio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kraus: Flute Quintet In D Major, "Wiener Flötenquintett": Flute Quintet In D Major, "Wiener Flötenquintett": III. Allegro Con Brio by Aurèle Nicolet to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Sonata for Flute, Oboe, Clarinet & Piano, Op. 47: II. Joyeux | Darius Milhaud, Aurèle Nicolet, Heinz Holliger, Eduard Brunner, Oleg Maisenberg | E♭ Major | 1 | 5B | 113 BPM | ||
Sicilienne et burlesque, Op. 23: II. Burlesque | Alfredo Casella, Aurèle Nicolet, Maria Bergmann | C Major | 1 | 8B | 136 BPM | ||
El amor brujo: Ritual Fire Dance - Excerpt | Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | C Major | 1 | 8B | 142 BPM | ||
Capriol Suite: 3. Tordion | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Minor | 0 | 6A | 96 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: II. Andante | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | G Major | 1 | 9B | 169 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM |
Section: 1.1199092864990234
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