"Concerto for Euphonium and Orchestra: III. 'It takes two...'. Seductively" by Karl Jenkins, Bramwell Tovey, BBC National Orchestra Of Wales, David Childs was released on October 1, 2014. With this song being about 5 minutes long, at 5:04, "Concerto for Euphonium and Orchestra: III. 'It takes two...'. Seductively" by Karl Jenkins, Bramwell Tovey, BBC National Orchestra Of Wales, David Childs is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "The Symphonic Euphonium". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Concerto for Euphonium and Orchestra: III. 'It takes two...'. Seductively is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Euphonium and Orchestra: III. 'It takes two...'. Seductively by Karl Jenkins, Bramwell Tovey, BBC National Orchestra Of Wales, David Childs having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
London | James Newton Howard | D Minor | 2 | 7A | 79 BPM | ||
The Promise | Michael Nyman | A Minor | 2 | 8A | 80 BPM | ||
The End | Stephen Warbeck | E Minor | 1 | 9A | 107 BPM | ||
The King's Speech | Alexandre Desplat | C Minor | 0 | 5A | 110 BPM | ||
Requiem: XII. Farewell | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Gavin Horsley, Gary Kettel, Timothy Rhys-Evans | E Minor | 1 | 9A | 172 BPM | ||
To The Edge Of The Earth | Michael Nyman | A Minor | 2 | 8A | 100 BPM | ||
Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
The Breaking of the Fellowship (feat. "In Dreams") | Howard Shore, Edward Ross | D Major | 1 | 10B | 79 BPM | ||
Rhythm of the Earth (Terra Carta Theme) | Sarah Class, Orchestra for the Earth, John Warner | E♭ Major | 3 | 5B | 70 BPM | ||
The Scent Of Love | Michael Nyman | D Major | 1 | 10B | 64 BPM |
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