Cecil Armstrong Gibbs, Ian Hare's '6 Sketches: No. 5, Folk-Song' came out on May 19, 2017. The duration of 6 Sketches: No. 5, Folk-Song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. 6 Sketches: No. 5, Folk-Song's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Organs of the Lake District". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. 6 Sketches: No. 5, Folk-Song is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Sketches: No. 5, Folk-Song by Cecil Armstrong Gibbs, Ian Hare having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Sketches: A Northern Song | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | C Minor | 0 | 5A | 82 BPM | ||
Os justi meditabitur sapientiam, WAB 30 | Anton Bruckner, The Monteverdi Choir, John Eliot Gardiner | C Major | 0 | 8B | 135 BPM | ||
English Suite: March | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 125 BPM | ||
A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 77 BPM | ||
The Gadfly, Op97: 3. Youth (Romance) | Dmitri Shostakovich, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | C Major | 1 | 8B | 138 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Karelia, JS 115: Tableau 4 - Karl Knutsson in Viipuri Castle | Jean Sibelius, Raimo Laukka, Heikki Laitinen, Taito Hoffren, Pertti Kuusi, Lahti Symphony Orchestra, Osmo Vänskä | A Minor | 2 | 8A | 88 BPM | ||
The Skaters - Waltz (arr. Norman Bates) | Émile Waldteufel, Monte-Carlo Philharmonic Orchestra, Willi Boskovsky | A Major | 1 | 11B | 101 BPM | ||
Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM |
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