"Fête de Saint Jean-Baptiste: Offertoire: Justus ut palma" by Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard was released on January 1, 2003. With Fête de Saint Jean-Baptiste: Offertoire: Justus ut palma being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 28 in Abbaye solesmes-Sanctoral 1: St Joseph, St Jean-Baptiste, St Pierre by Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Fête de Saint Jean-Baptiste: Offertoire: Justus ut palma is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fête de Saint Jean-Baptiste: Offertoire: Justus ut palma by Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exu da Porteira | J.B. De Carvalho, Coral Filhos de Exu | D♭ Major | 7 | 3B | 106 BPM | ||
Saudação a Obaluaye | Pai Cido de Oxum | A♭ Major | 8 | 4B | 130 BPM | ||
Casa de Lei | Coral Filhos de Exu | D Major | 6 | 10B | 87 BPM | ||
Meu Cativeiro | Nelson Mateus e Filhas de Iemanjá | A Minor | 7 | 8A | 100 BPM | ||
Sino da Igrejinha | Curimbeiros | A♭ Major | 5 | 4B | 162 BPM | ||
Oxumarê | Ilé Wòpò Olójúkàn | G Major | 6 | 9B | 125 BPM | ||
Boiadeiro Navizala Rio das Contas (Tat Manê Pá) | José Ribeiro e Seus Filhos de Santo do Terreiro Inhasã Egún-Nitá | A Minor | 7 | 8A | 85 BPM | ||
Exu da Boca da Mata | Coral Filhos de Exu | F♯ Major | 7 | 2B | 98 BPM | ||
Ponto maria mulambo a bruxa macumbeira chegou | luigi de oxala | D♭ Minor | 6 | 12A | 137 BPM | ||
Tala-Tala | J.B. De Carvalho | G Major | 8 | 9B | 95 BPM |
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